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As theater goers watch the Incredible Hulk take on his nemesis Abomination during a New York city rooftop battle in “The Incredible Hulk,” which premiered this week, few, if any, realize the storage power necessary to make the computer generated movie scenes.
In taking on its largest movie project yet, Soho VFX, a Toronto-based visual effects creator, knew it would need more capacity than on earlier projects. Berj Bannayan, co-founder and software engineer, said the decision to go with a Blue Arc Titan 2000 was tied to reliability and speed.
Computer-generated imaging (CGI) files are massive to store and retrieve. Quick rendering — the pulling and storing images for artistic creation — is required for smooth scene development and video editing.
“There was a certain complexity in that Hulk sequence on the rooftop and just a huge amount of data was needed. We needed something to quickly move those digital assets from storage to rendering,” Bannayan told InternetNews.com.
Film generation and video production are two industries grappling with unique storage challenges, as the data files are huge. Blue Arc is just one of several storage vendors pushing big boxes and new storage technologies to try and ease the pain points tied to massive data piles.
HP recently announced a HP StorageWorks 9100 Extreme Data Storage System aimed at enterprises juggling multi-petabyte data environments.
On “The Chronicles of Narnia,” a previous film project, Soho’s data storage topped at about 16 terabytes. The Hulk project was going to be double the number of scene shots and image files as “Narnia,” to about 150 shots.
The Hulk project required what Bannayan called a “constant flood of data” as well as 24-hour rendering work at the end of production. Creating sequences required simultaneous split-second demands for hundreds of gigabytes of data-intensive image files as well as intermediate files created during 3D animation. It involved loading 700 gigabytes of color-related data repeatedly in any given week.
P>”The time in pulling images from stored archives plays a critical role in editing as it can make the process more efficient and faster,” explained Bannayan.
The BlueArc Titan 2000 series server, which anchors the visual effects studio’s production technology infrastructure, expanded the studio’s disk capacity from 16 to 38 terabytes of Fibre Channel storage.
This article was first published on InternetNews.com. To read the full article, click here.
