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Digital Archives and Future Research

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by David Strom

My college experience was perhaps a bit different from many of you. I
was very lucky to be able to design my own curriculum around what
turned out to be an entire year's worth of independent study classes.
Perhaps that set the tone for my working life, where much of my day is
spent doing research and writing articles and designing my
presentations.

I thought about this during the past week when I read in the NY Times
about the digital archives of novelist Salman Rushdie that is being
curated at Emory University in Atlanta. Rushdie was fanatical about
keeping digital copies of all of his work product and donated his
older Macs to the university several years ago. Since then, a team of
computer programmers has been working on ways to make it more
accessible to researchers.
http://www.nytimes.com/2010/03/16/books/16archive.html?ref=technology

What does this have to do with my own education? One of my independent
classes was to research and create a series of photographs that
mimicked well-known photographers of the past. One of them was Lewis
Hine, who created a series of images of underage factory and mill
workers around 1910 before there were any child labor laws. Some of
his work is kept at the Library of Congress. As part of my independent
study, I went to DC and got to see his pictures firsthand.

It was fascinating to be able to walk into the archives and within a
few minutes have these old photos in front of me. And what was even
better was that for a small fee, I could have the government make
contemporary prints from some of the original negatives. I thought,
how cool can this be? It was then that I got interested in what
archivists do. And even cooler, I can link to it on the Web now:
http://www.loc.gov/rr/print/coll/207-b.html

Fast forward to today. Now we have to deal with what archivists call
born digital works. This means that instead of paper copies, we have
to deal with preserving computer files that were never or infrequently
printed out. My Hine negatives and prints aren't an issue - other than
their deteriorating condition, you can still take a 4x5 negative and
print it out on modern enlargers and so forth.

But there is a problem if we are trying to view the records of someone
who creates digital content so that later historians and even the
general public can go back and examine them. This is where it gets
tricky, and we run into issues.

As an IT person, you initially might say: this is simple, just make
bulk copies or image the hard drives and you are done. But wait. Some
of the programs are no longer available. Newer versions don't
necessarily read very old file formats. As an example, try buying a
version of a 1990s era software program today. And even if you can
find it on eBay or in your attic, it might be difficult to run it on
modern hardware.

That is the situation that the Emory archivists found themselves in
when they got Rushdie's old Macs. But through some hard work, they
have been able to reconstruct things and allow us to become immersed
in the complete environment that Rushdie was working in at the time he
was writing his books. You can view the same files, work through the
revisions and edits that he made, and be completely brought back to
the past, care of some very clever programming tricks.

You can read more about what the team of programmers and archivists
have done to set up this exhibit and what they are doing with all the
materials that Rushdie donated to the library here:
http://www.emory.edu/EMORY_MAGAZINE/2010/winter/authors.html

What struck me was that I doubt many of us could even attempt to
recreate the computing environments that we have had over our careers,
let alone last year. Granted, it isn't like some university is
knocking on my door wanting my Model 200 Radio Shack, not that I have
kept it or many of the other computers that I have used over the past
30 years. Nor would I want to turn over my old PCs and Macs, even if I
had them, to the world to see what is all on them. <shudder> But
still. I do have copies of many of my previous' years work on my hard
drive. Sometimes I actually do search for something that I wrote and
even find it, but most of the time these files remain untouched. I
took a quick look at what I have been carting around with me digitally
speaking and it is a real mess. I have presentations in software that
is no longer in my possession, documents in Xywrite (which for the
most part are text files that I can still open and read), and older
versions of accounting software (DOS QuickBooks, anyone). Speaking of
DOS, trying to decode an eight letter file name into a meaningful
article is an exercise in frustration. I can't imagine what an
archivist would have to deal with if I am having problems.

I will have more to say about this for an article I am writing for
Baseline magazine. In the meantime, I am enjoying look at Hine's
photos again, you can find many of them easily online. And I don't
have to leave my office either. This Web thing is pretty cool.

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